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Toym Imao

Artist

Toym Leon Imao is a multimedia artist who excels in both sculpture and painting, and assistant professor at the College of Fine Arts of the University of the Philippines. Spanning an art career of more than 30 years, his works can be found in major cities in the Philippines, Vietnam, the USA and Europe. He is a sculptor and painter in both classical and contemporary styles, a writer, set/production designer and filmmaker. He first trained in the arts under Philippine National Artists for the Visual Arts Napoleon V. Abueva and Abdulmari Asia Imao (his father). His formal training came from the University of the Philippines (B.S. Architecture, Masters in Fine Arts) and Maryland Institute College of Arts (M.A. Sculpture) under a Fulbright Scholarship. He studied film and apprenticed under National Artist for Film and Broadcast Arts Marilou Diaz-Abaya. He credits his mentor National Artist for Literature Alejandro R. Roces for his passion for Philippine history and culture.

 

Toym started his career as an architectural designer and public art sculptor, designing and building monuments and shrines. His degree in Architecture gives him the design perspectives of a trained builder. Certainly, his architectural skills are indispensable as he builds more than life-sized statues and public art installations. His public artworks are always accomplished with masterful craftsmanship and display architectonic strength and historical depth. He takes delight in discovering little known facts and incorporating them in his artworks.

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Desaparecidos
2016–2024
polymer resin, welded steel and wood
16 (L) × 8 (W) × 6.5 (H) ft

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This sculptural installation is a memorial of 52 years after the declaration of Martial Law in the Philippines. Visualized through an assembly of 52 people with empty torsos like empty tombs, it presents the hallow hearts and grieving souls of families victimized by extra-judicial killings and political disappearances. As the installation grows by one figure each year, Imao locates freedom through “remembering the disappeared, memorializing absence.”

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Debugging
2024
polymer resin and steel
6 (L) x 6 (W) x 12 (H) ft

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This spiral staircase is presents a narrative of six particular epochs after Philippine “independence” represented by larger-than-life human figures delousing each other’s heads.
A metaphor to removal of lies, it responds to the blatant revision of history and false narratives proliferated by power-driven leaders. In the hopes of reclaiming people’s voices, Imao locates freedom in the preservation of truth.

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For reservation and inquiries, please call Uriah at 09175798768 or email us at vmemecontemporary@gmail.com

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