Veejay Villafranca
Artist
Veejay Villafranca is a photographer and educator with years of practice in photojournalism and documentary photography. He started out in journalism as a staff photographer for the national news magazine Philippines Graphic. After becoming a freelancer in 2006, he worked with several international news wire agencies before pursuing the personal projects that later paved the way to his career as a full-time documentary photographer. He has tackled issues such as changing Filipino cultural and religious practices, the transformation of Filipino gang members, and climate displacement and other environmental issues. In 2008, he was awarded the Ian Parry Scholarship and a residency at Visa Pour l’Image for his project on the lives of former gang members in Manila and in 2013 attended the prestigious Joop Swart Masterclass program of the World Press Photo Foundation.
Veejay’s first book, Signos (2017), garnered the 2018 Invisible Photographer Asia Photobook prize and was exhibited in over 10 countries. He is currently working on his second book, Barrio Sagrado, that delves on Filipino spirituality as a means of survival. He is currently based in Manila, working for international news agencies and selected galleries for his personal work. Veejay is a collaborator of photography collective Fotomoto and recently the jury chair of 2024 World Press Photo Contest.
The Republic and the Spirit I and II
2024
dye sublimation on fabric
6 × 24 feet per scroll
This series of image tapestries is a study on faith—how a nation’s faith forms and changes throughout history. It chronicles the struggles of various communities to construct a parallel or alternative history of both hope and resistance. A result of decades of work in photojournalism and visual documentary, Villafranca locates freedom in the continuous, cyclical and never-ending struggle of everyday life.
Surge
2014/2024 (Leyte, Philippines)
chromogenic print on archival fine art paper, 27 × 48 in
Believe
2015/2024 (Metro Manila, Philippines)
chromogenic print on archival fine art paper, 27 × 48 in
Two stylized renditions of images -- one of mass gatherings and one of a community under calamity, are juxtaposed to trace how faith manifests in two forms of communal experiences. Whether one form opposes or aligns with the other is what viewers are tasked to investigate. Through reading images as imprints of faith and faith as meter of struggle, Villafranca locates freedom in the duality of collective desperation and collective hope.